Italian Baroque, characterized by sweeping forms, sinuous curves, scrolls, floral motifs and other complex decorative elements, dominated the arts in general at the beginning of the century. Gradually, a distinctively French artistic vocabulary, imbued with classicism, toned down this exuberance and became established throughout Europe. In the second half of the century, under the splendor of Louis XIV, Paris replaced Rome as the artistic capital.
Stones, precious, fine or ornamental, translucent or opaque, have the capacity to fascinate men and women since the dawn of time. Their beauty gives rise to emotions, thoughts and sometimes beliefs. Throughout history, they have been attributed symbolic values and even powers.
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